Marykerin
Designs
Scenic Artist - Mother of all the Behans - Mermaid Arts Centre - 2023
Scenic Design - Louise Dunn
Original Floor Scenic - Sandra Butler
The Scenic brief for this project involved repurposed set pieces, so the scenic painting involved restoring the original wooden floor painting, lightening it slightly and matching the a new build window frame into the world of the new set.
Scenic Artist - City Song - Black Box Theatre, TU - 2023
Directed by Donal Gallgager
Scenic Design by Sinead O' Donnell
This design consisted of a deconstructed spire, abstract sky in the back ground and an abstract representation of the concrete ground to emulate movement.
The scenic involved creating this abstract floor scenic , metalic finish for the spire pieces and abstract night sky.
Scenic Artist - Old Ghosts - Anu & Irish National Opera - 2023
Directed by Louise Lowe
Scenic design By Owen Boss
This Scenic brief involved building apon the original scenic to accommodate the set which was in the round and in an intimate space with the audience in close proximity. It also called for some additional ageing and gold tinting to compliment the yellow and gold with in the space.
Scenic Artist - Wire, Strings & Other Things - The Arc - 2022
Directed by Wouter Van Looy
Scenic Design by The Alyson Cummins
The backdrop in this design was large and not only acted as a backdrop that was projected on, but also became the floor. The designer wanted to create a vignette effect that drew attention into the centre of the design and to give 'borders' which would be broken within the design.
Scenic Artist- Caveman Play - Faultline Theater - 2019
Directed by Weston Scott
This design consisted of a large fabric backdrops, which created the structure for the cave. The back drops were painted with a texture that gave the appearance of rock.
Fabricated stalagmites and foil rocks where dressed onto the fabric and were given the same treatment.
Scenic Artist- Supremacy - Exit Theatre - 2019
Directed & Designed
By Amanda Ortmayer
The design for this scenic called for a cold, harsh, neglected and defaced environment. The scenic involved textured concrete walls , steps and an aged bench. All of which were defaced with graffiti much of which was inspired by the outside environment of the Exit Theatre on eddy st in San Francisco.
Scenic Artist - A Life on an Ocean Wave - 2017
Directed by Stuart Bousel
The scenic design for this play utilized the floor space through the scenic treatment to establish the world of the play, which was the vast open ocean, ship and a rowing boat.The style of the scenic aimed to reflect the playful, storybook elements within the play.
Scenic Artist - Kilgallen/Jones - Exit Theatre - 2017
Directed by Ellery Schaar
Produced by the Exit Theater
The scenic treatment for the floor, used two distinctive tile floor motifs to create a clear divide between the two spaces.
The basement turned bedroom of Jones a 19 year old millennial and the 1960s home office of the journalist Dorothy Kilgallen.
Scenic Artist - Paradise Street - Exit Theatre - 2016
Directed by Stuart Bousel
The design consisted of a derelict cobble stone street in Liverpool.
The scenic treatment recreated this cobble stone that complemented the brick within the space while also adding some additional warmth and dimension.